132. See A.K. Coomaraswamy. Myths of the Hindus and Buddhists, 133. Alokendranath Tagore,o^. r/7..p. 37. 134. Sister Nivedita, Tunction of Art in Shaping Nationality* in The Modem Review I (Januaiy-June 1907), p. 128. 135. Ibid.. p. 492. 136. A.K. Coomaraswamy. The Present State of Indian Art', in Modern Review (2 July-December. 1907). pp. 106-7. 137. Ibid. p. 107. 138. The Indian Society of Oriental Art, in Englishman, 30 July, 1907 .(From cuttings in Havell File No. 2. Vol. 2, Rabindra Bhavan, Shantiniketan.) 139. Ibid. 140. Letters to the Editor, Times, 21 February. 1910 (Havell File No. 2, Vol. 2). 141. Ratan Parimoo, The Paintings of the Three Tqgores, Abanindranath, Gaganendranath andRabm • dranath. Chronology and Comparative Study (Baroda, 1973), pp. 100-102. 142. Prodosh Dasgupta, The Calcutta Group —Its Aims and Achievements', in LalitKala Contemporary ^o. 31, p. 3. 46 Numbers 14-15