24. Debiprasad Chattopadhyay, Lokayata : A Study in Ancient Indian Materialism (People's Publishing House, New Delhi, 1973). 25. Ibid., Chapters 3 and 4. 26. Ibid., p. 296. 27. N.N. Bhattacharya, 'Neo-Tantric Movements in the Nineteenth and Twentieth Centuries', in S.P. Sen (ed.). Social and Religious Reform Movements in the Nineteenth and Early Twentieth Centuries (Institute of Historical Studies, Calcutta, 1979), p. 43. See also N.N. Bhattacharya's The Indian Mother Goddess (Manohar, Delhi, 1977), p. 194. 28. Bepin Chandra Pal, Indian Nationalism — Its Principles and Personalities (S.R. Murthy & Co., Madras, 1918), p. 63. 29. A.R. Desai, Social Background of Indian Nationalism (Popular Prakashan, Bombay, 1948), p. 159. 30. Krishna Chaitanya, Ravi Verma, Contemporary Indian Art Series (Lalit Kala Akademi, New Delhi, 1984), p. 3. 31. Ibid.,p.5. 32. Navyug, op. cit. 33. The Gospel of Swadeshi, A.T. Hingorani (ed.) (Navajivan Publishing House, Ahmedabad), pp. 19, 118-21. 34. Sergei M. Eisenstein, A Dialectic Approach to Film Form' (1929), in Jay Leyda (ed.) film Form (Dennis Dobson Ltd., London). 35. Jacques Lacan, The Eye and the Gaze', in Jacques Alain-Miller (ed.). Four Fundamental Concepts of Psychoanalysis (Penguin, 1977), p. 73. 36. Roland Barthes, 'Upon Leaving a Movie Theatre', in Theresa Hak Kyung Cha (ed.),Apparatus (Tanam Press, New York, 1980), p. 3. 37. Jean-Louis Comolli, 'Machines of the Visible', in Stephen Heath and Teresa Delawrentis (ed.), The Cinematic Apparatus (Macmillan, London, 1980). 38. Georges Sadoul, Louis Lumiere. Cinema dAujourd'hui, (Editions Seghers, Paris, 1964). Quoted in Steve Neal, Cinema and Technology (Macmillan/BFI, London, 1985), p. 51. 39. Laura Mulvey, Visual Pleasure and Narrative Cinema \ Screen, Vol. 6, No. 3 (1975). 40. John L. Fell,'Motive,Mischief and Melodrama : The State of Film Narrative in 1907',inJohnL Fell (ed.),Film Before Griffith (Univ. of California Press, 1983), p. 272. 41. Andre Bazin, 'Painting and Cinema' Hugh Gray (ed.), What is Cinema ?,Vo\l (Univ. of California Press, 1967), p. 164. 42. Bapurao ^aik.Marathi Rangabhoomicha Tantradrishtya Vikas (The Technical Development of the Marathi Theatre'), in K. Narayan Kale, VB. Kulkarni, V.R. Dhavale (eds.), Marathi Rangaboomi Marathi Natak (Mumbai Marathi Sahitya Sangh, 1971), pp. 221-23. 43. Ibid., p. 236. 44. A.V. Kulkarni, Marathi Lekhanachi Tantrachi Vacchaal (Venus Prakashan, Pune, 1976), pp. 65-66. 45. P.S. Rege, Rangabhoomivareel Nepathya (Venus Prakashan, Pune, 1968), pp 5-6. 46. Andre Gaudreault, Temporality and Narrativity in Early Cinema', in John L Fell (ed.). Film Before Giffith (Univ. of California Press, 1983), p.311/. 47. Baokar/Vashikar, op. cit., p. 23. 78 Numbers 14-15