The Notes and References relating to Geeta Kapur's article, When Was Modernism in Indian Art'/ published in issue numbers 27-28 of Journal of Arts & Ideas, should read as follows:
1. Raymond Williams, The Politics of Modernism: Against the New Conformists, London /New York, 1989, p. 35.
2. Raymond Williams, Marxism and Literature, New York, 1977, pp. 133-34.
3. Jean-Francois Lyotard, The Postmodern Condition: A Report on Knowledge, translated by Geoff Bennington and Brian Massumi, Manchester, 1986, pp. 71-82.
5. The following discussion takes off from Homi Bhabha, 'Remembering Fanon: Self, Psyche, and the Colonial Condition', Remaking History, edited by Barbara Kruger and Phil Mariani, Seattle, 1989, pp. 131-48.
6. Williams, The Politics of Modernism, p. 34.
7. Fredric Jameson, Postmodernism, Or, The Cultural Logic of Late Capitalism, London/New York, 1991, p.369.
8. Lyotard, The Postmodern Condition, p. 77.
9. Hal Foster, Introduction to The Anti'Aesthetic: Essays on Postmodern Culture, edited by Hal Foster, Port Townsend, 1983, pp. xv-xvi.
10. Williams, The Politics of Modernism, p. 35.
11. Jameson, Postmodernism, p. 311.
12. M.K. Gandhi, Hind Swaraj or Indian Home Rule, Ahmedabad, 1938 (N. Ed. 1939, rpt. 1990).
13. Jameson, Postmodernism, p. 307.
14. Collated information on the Indian People's Theatre Association is available in Marxist Cultural Movements: Chronicles and Documents, 1936-1947, Vol. 3, edited by Sudhi Pradhan, Calcutta, 1977.
15. Foster, The Anti-Aesthetic, p. xii.
16. Jameson, Postmodernism, pp. 417-18.
17. See John Berger, Success and Failure of Picasso, Harmondsworth, 1965.
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