SUBJECT INDEX Journal of Arts & Ideas, Issue Numbers 1 to 29 (The numbers in brackets indicate the number of the issue) ARCHITECTURE Tomb Technology and Waves of Slaves (1) Romi Khosia Including Iconography and Images in Architecture (7) Romi Khosia 'Architecture to me is about construction of images and associations': Interview with Satish Gujral (7) Identity in Diversity (7) Robi Sularto Sastrowardoyo The City: Terra Incognita (7) A. Gutnov Charles Correa (review) (7) Peter Serenyi The Armenian Museum of Ethnography (12-13) R. Kaminkas 6* Yalovetskas Architectural Conundrums (20-21) A.G. Krishna Menon CINEMA Technique as Ideology (1) Maaan Copal Singh In the Realm of Shadows (2) Arun Khopkar On Godard (review) (2) Ashish Rajadhyaksha Gandhiana and Gandhiology (3) Ashish Rajadhyaksha Myth and Ritual: Ghatak's "Meghe DhakaTara' (3) Ira Bhaskar A Statement of Bias (review) (3) Jasodhara Bagchi Of More Than a Certain Tendency in the Indian Cinema (5) Ashish Rajadhyaksha The Linear and the Displaced: Towards a Cinematic Self-Identity (5) Arun Khopkar Colour, Sound and Movement in Cinema: An Introduction (5) Arun Khopkar Notes for an Aesthetic of Cinema Sound (5) Kumar Shahani Ketan Mehta on "Bhavni Bhavai' (5) Eisenstein's 'Quo Viva Mexico7: A Discussion (5) On 'Solaris' and Tarkovsky (5) Madan Gopal Singh Genres in Indian Cinema (5) Sanjeev Prakash Latin American Cinema Ashish Rajadhyaksha (10-11) Those Who Left the Festivities: Georgian Cinema Today (12-13) V. Demin 'Contemporary Art Is Devoid of a Spiritual Basis': An Interview with Tarkovsky (12-13) The Phaike Era: Conflict of Traditional Form andModern Technology (14-15) Ashish Rajadhyaksha Mythic Material in Indian Cinema (14-15) Geeta Kapur Interrogating Internationalism (19) Kumar Shahani The Case of Sergei Eisenstein (19) Arun Khopkar Beaming Messages to the Nation (19) Ashish Rajadhyaksha Notes Before Filmmaking (20-21) Anup Singh Through the Realist Defile (20-21) Madan Gopal Singh Satyajit Ray, Ray's Films, and Ray-Movie (23-24) Ashish Rajadhyaksha Cultural Creativity in the First Decade: The Example of Satyajit Ray (23-24) Geeta Kapur Shifting Codes, Dissolving Identities: The Hindi Social Film of the 1950s as Popular Culture (23-24) Ravi S. Vasudevan The Epic Melodrama: Themes of Nationality in Indian Cinema (25-26) Ashish Rajadhyaksha Cinema and the Desire for Modernity (25-26) Madhava Prasad Kaadalan and the Politics of Re-signification (29) Vivek Dhareshwar Tejaswini Niranjana Signs of Ideological Re-form in Two Recent Films: Towards Real Subsumption? (29) Madhava Prasad Bombay and Its Public (29) Ravi S. Vasudevan Devotion and Defiance in Fan Activity (29) S.V. Srinivas