THEATRE 1 The Sangitaratnakara of Sfarngadeua.VoLIV, Chapter on Dancing. Trans., K. Kunjunni Rq a and Radha Bumier, Brahma Vidya, The Adyar Library Bulletin, XXIII, 3-4 (Dec. 1959), p.3. 2 Siegfied Melchinger, The Concise Encyclopedia of Modern Drama, trans., George Wellwarth (London: Vision Press»1966), p.149. 3 Martha Bush Ashton, 'Spirit Cult Festivals in South Kanara', TDR: Performance Theory, Southeast Asia Issue, 23, 2 (June 1979), p.92. Edward Gordon Craig, On the Art of the Theatre fLondon: Heinemann, 5th impression, 1W7\ pp. 62-3. 5 Alexander T . 'Introduction* to Craig, p.xviii. 6 Christine £ The Stanislausky Heritage (London: Peter Owen,! 966), pp. 93-4. 7 Edward Braim, Meyerhold on Theatre (London: Methuen, 1969), p.63. 8 Ibid., p. 62. 9 Ibid., p. 21. 10 Melchinger, p. 145. 11 Reiss Hans, The Writer's Task from Neitzsche to Brecht (London: Macmillan, 1978), p. 153. 12 Melchinger, pp. 145-6. 13 Oscar Budel, 'Contemporary Theater and Aesthetic Distance', Brecht, ed., Peter Demetz, Twentieth Century Views (Englewood Cliffs, N.J.: Prentice-Hall, 19621 p. 75. 14 JohnWillett, The Theatre of Bertolt Brecht (London: Eyre Methuen, 1977») p.169. 15 Bertolt Brecht, Brecht on Theatre, ed. and trans., JohnWillett (New Delhi : Raaha Krishna, Indian rpt. 1979), pp. 91-2. 16 Eric Sellin, The Dra ma tic Concepts of An tonin Artaud (Chicago: The Univ.cf Chicago Press, 1968), pp. 15-16. 17 Ibid., p. 98. 18 Martin Esslin, Artaud (Glasgow: Collins Fontana, 1976), p. 83. 19 Fernau Hall, *Noh, Kabuki, KathakalF, SangeetNatak, 7 (Jaa-March. 1988) , pp. 67-8. 20 M. Christopher Byrski, 'Grotowski and the Indian Tradition', SangeetNatak, 23 (Jan.-Mar. 1972). p. 18. 21 Ibid., p. 24. 22 Richard Schechner, Environmental Theater (New York: Hawthorn Books, 1973), p.vii. ^g July September 1983