80 SOCIAL SCIENTIST 4. Georg Simmel, A penz filozofiaja [The Philosophy of Money] in: Valogatott tarsadalomelmelett tanulmanyok [Selected sociological studies], Budapest, 1973, pp. 33-178. 5. Gyorgy Lukacs, A modern drama Fejiodesenek tortenete, Budapest, 1911, pp. 36-62. 6. Hans Robert Jauss, Toward an Aesthetic of Reception, Sussex, 1982, 3-46. 7. Johann Gottheb Fichte, Fichtes Werke, Zur Politik, Moral und Philosophic der Geschichte ed. Immanuel Hermann Fichte, Vol, 7, Berlin, 1971, pp. 3-78. 8. Gyorgy Lukacs, ibid, pp. 535-600. 9. Gyorgy Lukacs, ibid, p. 143. 10. Georg Lukacs, On the nature and the form of the Essay, A letter to Leo Popper, in Soul and Form, London, 1974, pp.'1-19. , 11. Georg Lukacs, Platonism, Poetry and Form, Rodolph Kassner, ibid, pp. 19-27. 12. Erzsebet Rozsa, Heller Agnes, a fronezis filozofusa [Agnes Heller, the philosopher of phronesis], Budapest, 1997, p. 292. 13. Georg Lukacs, ibid, p. 11, 14. Georg Lukacs, ibid, pp. 28-41. 15. Georg Lukacs, ibid, pp. 91-106. 16. Georg Lukacs, ibid, pp. 152-174. 17 "These new Christians are not seeking the salvation of their souls, they are seeking themselves or their happiness, or both." ibid, p. 100. 18. Bela Balazs, Napio 1914-1922 [Diary], vol. II, Budapest, 1982, p. 130; Georg Lukacs, Record of a Life, Gelebtes Leben, Notes Towards an Autobiography, London,1983,p.153. 19. Lyric Poetry and Society in The Adorno Reader ed. by Brian O'Connor, Oxford, 2000, pp. 211-229. 20. Lukacs Gyorgy, Esztetikal Kultura, in Ifjukon Muvek (1902-1918) Budapest, 1977, pp. 422-437. 21. Lukacs Gyorgy, Felnek az Egeszsegtol, in Ifjukon Muvek (1902-1918) Budapest, 1977, pp. 441-444. 22. Lukacs Gyorgy, Utam Marxhoz [My Road to Marx], Budapest, 1971, pp. 9-31. 23. Gyorgv Lukacs, Esztetikal kultura. p 430; one may see in this statement an anticipation of Habermas's notion of communication that can bring about the public sphere where conflicts are played out, consensus is achieved and can serve as the basis of democraty. But of course the positions of the two thinkers are very different. 24. Georgy Lukacs, The Theory of the Novel, London, 1978. 25. "The immediate motive for writing was supplied by the outbreak of the First World War and the effect which its acclamation by the social-democratic had upon the European left. My own deeply personal attitude was one of vehement, global and, specially in the beginning, scarcely articulate rejection of the war and especially of enthusiasm for the war... Such was the mood in which the first draft of The Theory of the Novel was written. At first it was meant to take the form of a series of dialogues: a group of voung people withdraw from the war psychosis of their environment, just as the story-tellers of the Decameron had withdrawn from the plague; they try to understand themselves and one another by means of conversations