100 SOCIAL SCIENTIST 8 For a selected presentation of the polemic, see Aesthetics and Politics, London, NLB, 1977. 4 Brecht, "Against Lukacs", in Aesthetics and Politics, p 82. 8 Aesthetics and Politics, p 206. 8 Theodor Adorno, "Commitment", in Aesthetics and Politics, p 179. 7 Adorno, cited in Gillian Rose, The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno, London, Macmillian, 1978, p 114. 8 Frederic Jameson, Aesthetics and Politics, p 211. 9 The discussion, in its approach and information, owes much to the articles and essays of Timothy Hyman. 10 Max Beckmann, "Confession" (1918), cited in Stephan Lackner, Max Beckmann,' New York, Abrams, 1977, p 15. 11 Beckmann, cited in Timothy Hyman, "Max Beckmann and the Neue Sachlichkeit", Artscribe, No 15, 1978, p 32. la Leger, "Derrierc Ie Miroir" (1952), cited in Hyman, Narrative Paintings, Catalogue essay, Bristol, Arnolfini, 1979. 13 Cited in Hyman, R B Kitaj, Catalogue essay, New York, Marlborough Gallery, 1979. 14 Kitaj cited in Hyman, Ibid. 15 Cited in Hyman, Ibid. 18 Kitaj, "Introduction", The Human Clay: An Exhibition Selected by R B Kitnj, Arts Council of Great Britain, 1976. 17 Kitaj interviewed in Artscribe, No 5, 1977.