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TABLE OF CONTENTS xi
PAGE
Implement factories . . . 93
' Cinder-mounds' . 94
'Cup-marks' . . . . . . . 94
Ruddle drawings . . . . 94
Tombs . . . . . . . . . . 95
Adichanallar . . . . . . . 97
Copper implements 97
Iron . . . . . . . . 98
Selected references . . . . . . . . 99
CHAPTER III
ARCHAEOLOGY OF HISTORICAL PERIOD
Scope of the chapter . . . . . . .
Transition from prehistoric times . . . . .
The earliest Indian building . . . . . .
State of civilization 450 B.C. . . . . 02
Wooden architecture . . . . . . I03
Early period of Indian art, 250 B.c. to A.D. 50 Io03
Distribution of remains of early period . . . 04
Evolution of the st a . . . . . . I04
Stone railings . . . . . . Io4
Hellenistic and Persian influence Io5. . . .
Bharhut . I. . . . . . o6
S nchi . . . . . . . . . 8
Monolithic pillars of Asoka o. . . . .
Sculpture in the round . . . . . . O9
MathurA . . . . . . . . o
Jain s/tpas . . . . . . . . IIo
Decoration of sfPlpas . . . . . .
Sculpture in the early caves . . . . .
The second or Kushln period . . . . . . 2
History . . . . . . . . I12
Influence of Roman taste . . . . . II2
Two principal schools of sculpture . II3
Abundance of Gandhara sculptures . II3
General description of Gandhara sculptures . . II4
The sculptures illustrate the Newer Buddhism . II4
Chronology of the Gandhara school . . . . I5
Amaravati . . . . . . II5
The Ajantu paintings . . . . . . I7
Technical execution. . . . . . . I7
Age of the paintings . . . . II8
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