17
29. Mammata^a^appafca^a VIII.
30. S. Kuppuswami Sastri, op. cit., p. 22:
"The life of speech consists in this suppressed element and the greater the life that art has, the greater is the suppressed element in it."
31. Ibid., pp. 41-42.
32. Ibid. , p. 42:
"Anandavardhana himself suggests that this reclassification is only a tentative device which he has suggested as a challenge to the traditional classification of literature into various genera, to the traditional method of compartmental slicings and cuttings."
33. Ibid., p. 48:
"The beauty consists in its pathetic appeal to the sahydaya (appreciator)."
34. Ibid., pp. 47-48.
35. See G. N. Shastri, Philosophy of Word and Meaning^ p. 225.
36. Ibid., p. 22-23:
"On the part of the artist, there is much scope for anticipatory imagination and on the part of the gahrdaya^ there is scope for anticipatory realization."
37. R. Gnoli, op. cit:
"The force which makes possible the magical conversion of the passions into pasa, freeing them of time and space is the creative intuition, pratibha. This power is none other than the same consciousness, the same self."
38. ^hsirtrhar±,Vakyapad1ya,ll 3.7-318:
"Conjunction, disjunction, association, disassociation, function, context, symbol, proximity of another word, linguistic comparability, location, tense gender, accent and the like are the factors which lead to an unambiguous comprehension of a particular meaning, when the sign has a multivalence of meanings."
Samyogo viprayogaSca sahacaryam virodhita/ arthah prakara^am tingar^i sabdasyanyasya sannidhih// samart'hyamauoit'i deSdh kalo vyaktih svaradayah/ Sabdarthasy^lnavacchade viSesasmrtihetavah.
39. Mammata, KavyaprakaSa^ III 2/22:
"Suggestion is that function of meaning which operates on the linguistically determined meaning and with the aid of a creative imagination, gives it a different meaning based on the particular factor of the speaker, the person addressed, the intonation, the syntax, the expression-format, the presence of a third person added to the speakers,occasion, time and place, etc."
