- 213 Those examples taken as a whole present a fairly wide range of possibilities available to ladies, especially the young ones, of looking in mirrors. NOTES 1. Konardk. Photographs by Sudhanshu Chowdhury; Introduction and Annotation by Prof. 0. C. Gangoly (Calcutta: 1956). 2. C. Sivaramamurti Amaravati Sculptures in the Madras Government Museum. (Madras: 1956), p. 120. 3. C. Sivaramamurti. Sculpture Inspired by Kalidasa^ (Madras: 1942), pp. 27-28. 4. Benoytosh Bhattacharyya. The Indian Buddhist Iconography. (Calcutta; 1958), pp. 114-5; the Sadhanamala reference is to p. 123. 5. J. J. Jones (tr.). The Mahavastu. Vol. Ill (London: 1956), 35-6. 6. Mario E. Carelli (ed.). Sekoddesatlka of Nadapada (Naropa). (Baroda: 1941). 7. As found in the Japanese photographic edition of the Peking Tibetan Tripitaka^ Vol. 54. 8. Carelli, op. cit., p.^ 31. 9. Ibid., p. 49. 10. For this translation of kita^ cf. M. B. Emeneau, "Sanskrit Syntactic Particles — Kila^ Khalu^ Nunam^" Indo-Iranian Journal^ XI, 4 (1969). 11. In the volume cited in note 7, above, p. 29.4: / yid bzin nor liar mthah yas pahi / sems can re ba yohs gah byed / pro phdb pa yi gzon mu mas / ma rnthoh ba yi rdzas mthoh byed /.