Social Scientist. v 25, no. 290-291 (July-Aug 1997) p. 38.


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SOCIAL SCIENTIST

2. Gyorgy Lukacs, A tdrsadalmi let ontologidjdrol (The Ontology of Social Being) vol. 3 Budapest 1985, p. 47.

3. Gyorgy Lukacs, Vita a Blum-Tezisekrol (Debate about the Blum-Theses) in: Curriculum Vitae, Budapest 1981, pp. 171-226; Laszlo Sziklai, After the Proletarian Revolution, Georg Lukdcs' Marxist Development, 1930-1945, Budapest, 1992, pp. 49-87.

4. Georg Lukacs, Record of a Life, ed. by Istvan Eorsi, London, 1983, p. 159.

5. Georg Lukacs, History and Class Consciousness, London, 1971, pp. ix-xxxix.

6. Though one has to consider it in the light of the fact that the anti-fascist credentials, which England won by joining in the alliance with the Soviet Union and the United States of America in the Second World War, were established later and even in the later 1930s, there was admiration for the German Fascists.

7. Georg Lukacs, Record of a Life, p. 163.

8. Gyorgy Lukacs, Marx es Engels irodalomelmelete (Marx's and Engels' Theory of Literature) Budapest, 1949.

9. The author of the play in verse Franz von Sickingen is Ferdinand Lasalle (1825-1864) who organized an armed rebellion in Dusseldorf. He studied philosophy, his pay was written after his book was published on the Greek philosopher Heraclitus.

10. Record of a Life p. 87.

11. In the play Franz von Sickingen, Sickingen stands between the two sides, the knights and the peasants. He wants to persuade Emperor. Karl V of Swabian to improve the position of the peasants. After the Emperor refuses to do that Sickingen makes up his mind to join the peasants. Before he could do that the other knights kill him.

12. Gyorgy Lukacs, Marx es Engels . . . pp. 39-45.

13. Lukacs refers to the tradition of German drama represented by HebbePs and Schiller's tragedies and Vischer's aesthetics. They all have a formalistic, abstract concept of revolution. Ibid, pp. 19-27.

14. According to Lukacs this shift is also valid for the Second International and Franz Mehring, the main theoretician of the International. His historical and philosophical outlook limited the scope of the International. Lukacs also considered Mehring's interpretation of the Kantian tradition 'provincial*.

15. Georg Lukacs, The Destruction of Reason, London 1980, pp. 37-92.

16. Gyorgy Lukacs, "Szakadek" Nagyszallo, (Grand Hotel Abyss), in: Esztetikai irdsok 1930-1945 (Writings on Aesthetics 1930-1945) Budapest, 1982 pp. 81-92.

17. Lukacs refers to Bernard Shaw and Upton Sinclair. Gyorgy Lukacs, "Szakadek" Nagyszallo, (Grand Hotel Abyss), in: Esztetikai irdsok 1930-1945 (Writings on Aesthetics 1930-1945) Budapest, 1982, p. 83.

18. Laszlo Illes, Vita az expresszionismusrol, (Debate about Expressionism) Budapest, 1994, pp. 234-245.

19. Lukacs. considered these phenomena deviations into the style of proletcult, the organization for the creative self-education of workers (1917-1932). Lukacs was not impressed by the standard of their writings. Esztetikai irdsok pp. 603-609.

20. Mihail Lifsic-Sziklai Laszlo, Moszkvai evek Lukdcs Gyorggyel (Moscow years with Georg Lukacs), Budapest, 1989, p. 39.

21. Georg Lukacs, Studies in European Realism, London, 1978, pp. 1-19.

22. Gyorgy Lukacs, Esztetikai irdsok 1930-1945, ed. fey Laszlo Sziklai, Budapest 1982.

23. Georg Lukacs, Wie ist die faschistische Philosophic in Deutschland entstanden* ed. by Laszlo Sziklai, Budapest, 1982.

24. Georg Lukacs, Faust Studies, in: Goethe and his Age, London, 1968, pp. 157-253.

25. Gyorgy Lukacs, A tdrsadalmi let ontologidjdrol... vol. 2, p. 781.

26. Georg Lukacs, The Destruction of Reason, pp. 95-103.

27. Gyorgy Lukacs, Georg Simmel, in: Ifjukori miivek 1902-1918 (The Works of the Young Lukacs 1902-1918), Budapest, 1977, pp. 746-751.

28. Georg Lukacs, The Destruction of Reason, pp. 445-446.

29. Georg Lukacs, The Destruction of Reason, pp. 361-362.

30. Georg Lukacs, The Destruction of Reason, pp. 591-632.



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